Canon’s EF8-15mm f/4L Fisheye USM lens gives you an even wider view of the world around you with up to 180 degree vertical and horizontal coverage, advanced optical technologies, and both circular and full frame image possibilities.
With a diagonal angle of view of 114°, this super wide-angle lens delivers a view greater than that of the human eye. It offers ring USM with full-time manual focus override and dust and moisture sealing.
A fast, wideangle, large aperture lens, the EF24mm f/1.4L II USM is suitable for shooting situations from street photography to landscapes and interiors. SubWavelength Coating minimises ghosting and flare.
With a field of view slightly wider than that of the human eye, this lens captures natural looking images with a slightly reduced perspective. It’s superb for use in low light shooting situations.
Standard & medium telephoto
The fastest standard lens in its class, the EF50mm f/1.2 USM lens is a natural choice for ambient light portraits with a natural, flattering perspective. Great for shooting shallow depth-of-field situations.
For portrait and fashion photographers, the EF85mm f/1.2 lens is the one lens to own. With a fast AF response, the lens’ fast aperture operates superbly in low light and for shallow depth-of-field.
With a medium telephoto focal length, this lens excels at shooting candid portraits with more distance between the photographer and the subject. The f/2 aperture is perfect for indoor sports shooting in low light.
This is a fast and compact telephoto lens, suitable for everything from landscapes to portraits. With an f/2.8 aperture it works well in low light and offers very fine control over depth-of-field.
Aimed squarely at indoor sports shooters, this fast 200mm prime L-series lens continues the traditions of excellence in the Canon lens range. It offers a 5-stop Image Stabilization capability with tripod detection.
With its compressed perspective and telephoto effect, the EF300mm f/4 lens can make your subjects stand out from their backgrounds. A lightweight lens that’s great for travelling photographers.
Canon’s EF300mm f/2.8L IS II USM is a 2010 update of the highly regarded EF300mm f/2.8L IS USM improving the performance of that telephoto lens in all areas including improved AF and a new IS mode.
Canon’s EF400mm f/2.8L IS II USM is a 2010 update of the highly regarded EF400mm f/2.8L IS USM that improves the performance of that lens in all areas, including a comparative weight reduction of over 1.5kg.
The start of the super telephoto lens range, the EF400mm f/5.6L lens is a surprisingly lightweight (at just 1.25kg) and compact unit making it very easy to carry and use. Focuses from 3.5m to infinity.
Canon’s EF500mm f/4L IS II USM is a 2011 update of the highly regarded EF500mm f/4L IS USM that improves the performance of that lens in all areas, including a drastic weight reduction. It’s a lens for sports and wildlife.
Canon’s EF600mm f/4L IS II USM is a significantly lighter 2011 update of the highly regarded EF600mm f/4L IS USM lens. The lens’ long focal length will get you to the heart of the action and focuses down to 4.5m.
For the wildlife photographer looking for extra reach to capture those elusive creatures, the EF800mm f/5.6L IS USM lens provides a surprisingly lightweight solution to getting closer to the action.
Canon’s EF1.4x III and EF2x III are updates of the EF1.4x II and EF2x II extenders that have been redesigned to offer improved performance when used with the latest generation of Canon L-series telephoto and super-telephoto lenses.
The EF16-35mm f/2.8L II lens is a super wide-angle lens favoured by many landscape photographers for its ability to capture a far reaching vista. Offers a constant f/2.8 aperture throughout the zoom range.
With superb optical performance, super fast AF, dust and moisture seals and a close focusing distance of just 28cm, this lightweight, wide-angle zoom is especially suitable or APS-C and APS-H cameras.
The EF24-70mm f/2.8L lens is often the first L-series lens many photographers opt to buy. Offering high-speed autofocus it operates from a close focusing distance of 0.38m at all focal lengths in the zoom range.
Adored by wedding and event photographers, the EF24-105mm f/4L IS USM lens has carved a niche as a highly versatile lens. It has a 3-stop Image Stabilizer and constant f/4 aperture throughout the zoom range.
Do you want one lens to do it all? One lens to go from shooting a wide crowd scene to zooming in on the centre of attention? This 11x zoom focuses from 0.7m and has a 3-stop Image Stablizer.
Canon’s EF70-200mm f/2.8L IS II USM is a 2010 update of a high quality telephoto zoom lens that incorporates a four-stop Image Stabilizer to ensure great hand held results, closer focusing down to 1.2m and faster AF.
A lightweight, high-quality zoom lens, the EF70-200mm f/4L lens adds a telephoto range to your kitbag. It focuses from 1.2m and features a constant f/4 maximum aperture throughout the zoom range.
If you travel with your camera and want a lightweight lens that will do almost anything you ask of it, the EF70-200mm f/4L IS USM is a very good choice. It offers a 4-stop Image Stablizer for excellent handheld shooting.
A fast telephoto zoom lens such as this will always find favour in any professional photographer’s kitbag. The f/2.8 aperture allows for full control over depth-of-field to separate subjects from backgrounds.
Canon’s EF70-300mm f/4-5.6L IS USM lens is a versatile lens wrapped in a compact and lightweight body offering L-series build and image quality, a four-stop Image Stabilizer, and close focus of 1.2m throughout the zoom range.
Long favoured by wildlife and sports photographers, the EF100-400mm f/4.5-5.6L IS USM lens has a large following. It offers a two-mode Image Stabilizer for shooting static subjects or panning on moving subjects.
Canon’s EF100mm f/2.8L Macro IS USM is a fast aperture macro lens that is the first Canon lens to incorporate Hybrid Image Stabilizer (IS) technology to combat both angular and shift camera shake.
The natural world is the natural home for this lens. It offers full 1:1 lifesize macro capabilities with an internal focusing system and has a fast, silent, ring-type USM system that won’t disturb subjects.
This tilt and shift lens provides a very natural perspective and great depth-of-field control that’s ideally suited to product photography. It is also suitable for architectural and portrait photography with a twist.
This long established tilt and shift lens – launched in 1991 – features automatic aperture and is great for studio use, portraits or simply to give an edge to your photography.
This tilt and shift lens is an update of an optic that was the perennial favourite of architectural photographers. It has a greater degree of lens movement and SubWavelength Coating to minimise ghosting and flare.
The widest angle tilt and shift lens in the world is ideal for landscape and architectural photographers. It features a rotation system to allow for independent rotation of tilt and shift directions.
Add extra length to your lenses by fitting either the EF1.4xII or EF2xII extender. Compatible with any L series lens from 135mm, and some L series zooms, IS on lenses will operate with these attached.
This is the lens every sports photographer wants to own. No matter what sport you shoot, the EF400mm f/2.8L IS USM lens will help you get the shots. Offers a two-stop Image Stabilizer facility.
One of the most popular zoom lenses in the Canon lens range, the EF70-200mm f/2.8L IS USM will find a use within almost every genre of photography. It offers 3-stop IS and ring USM for silent, high-speed AF.
The mainstay of most architectural photographers’ camera bags, this clever lens allows you to photograph buildings and keep the verticals vertical. The lens is also great for shooting landscapes and interiors.
A fast, wide-angle, large aperture lens, this lens is suitable for a range of photographic situations from street photography to landscapes and interiors. It offers fast USM AF and full-time manual focus.
Favoured by sports and wildlife photographers, this lens offers a useful telephoto focal length, fast maximum aperture, Image Stabilizer and the fastest autofocusing available.
The lens at the top of every wildlife photographer’s wish list, the EF500mm f/4L IS USM lens fulfils the needs of most wildlife shooters as well as those of many sports photographers.
A behemoth of a lens that will really get you closer to the action, the EF600mm f/4L IS USM one of the longest focal length lenses in the current EF lens range. Offers AF Stop buttons and focusing from 5.5m